Gubaidulina: Works for bassoon

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Gubaidulina - Works for Bassoon (Valeri Popov) (1999) FLAC + CUE + LOG | TT 56:23 | Pdf booklet | 194 mb | 4Shared Recorded 1991-95-98 | Released 2010

Among the many talented performers Sofia Gubaidulina worked with in the 1970s was the bassoonist Valery Popov. A virtuoso who had mastered contemporary techniques of microtonal playing, producing more than one pitch at a time, and so forth, Popov inspired Gubaidulina to turn toward the bassoon, and two large works of this decade were written for him. On this Chandos disc we are fortunate to have Popov performing on the instrument. He is accompanied by pianist Alexander Bakhchiyev and violist Natasha Gigashvili on one chamber piece, fellow bassoonist Mikhail Bochkov on the other, and the Russian State Symphony Orchestra conducted by Pyotr Meshchaninov on the concerto.




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T. S. Eliot: The Annotated Waste Land

T. S. Eliot: The Annotated Waste Land with Eliot's Contemporary Prose, Edited by Lawrence Rainey.
Publisher: Yale University Press 2006 | 304 Pages | ISBN: 0300119941 | PDF | 3 MB

Eliot's own notes to his masterpiece were described by Eliot himself, as Rainey here relates, as padding that took on a life of its own as the controversies surrounding the poem took off in the '20s. That's just one of the tidbits in this terrific edition of a modernist work that retains its power to shock, as well as a high degree of allusive difficulty. Rainey's essay and notes describe the poem's genesis and printing history, and carefully-without damaging the poem's many ambiguities-elucidates most if not all of its textual knots. The setting of the poem itself follows that of Eliot's preferred edition. One still misses the now out-of-print manuscript version of the poem (complete with Pound's interventions), but for the student or for anyone who wants to get the maximum amount of information out of a foundational modernist work, this is the best available edition

introduction 1
A Note on the Text 45
The waste land 57
Editor’s Annotations to The Waste Land 75
Historical Collation 127
Eliot’s contemporary prose
London Letter, March 1921 135
The Romantic Englishman, the Comic Spirit, and the
Function of Criticism 141
The Lesson of Baudelaire 144
Andrew Marvell 146
Prose and Verse 158
London Letter, May 1921 166
John Dryden 172
London Letter, July 1921 183
London Letter, September 1921 188
The Metaphysical Poets 192
Notes to Eliot’s Contemporary Prose 202
selected bibliography 251
general index 261
index to eliot’s contemporary prose 267
Illustrations follow page 74

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Mahler: Sinopoli - The Complete Recordings [15 CD-Box set]

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La disquera Deutsche Grammophon reunió, en 2002, las grabaciones Mahlerianas de Guiseppe Sinopoli en una caja que es obligado mantener en la libre circulación como parte de las conmemoraciones centenarias de Gustav Mahler.
Los registros del conductor Italiano fueron realizados, en su mayor parte con la London Philharmonia Orchestra, aunque también se recoge la grabación de Das Lied von Der Erde en que Sinopoli dirigió a la Dresden Staatskapelle.

15CD+Scans-16 Rar-Flac-3.75GB

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Bach: L'Offrande musicale

Una version de Musikalisches Opfer, ejecutada por musicos britanicos y grabada por Harmonia Mundi de francia.
El ensemble lo forman: Davitt Moroney y Martha Cook (clavecines) , Jaap ter Linden (violoncello), Janet See (flauta) , John Holloway (violin).

1CD-Wave(tracks)-336 MB

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Schnittke: Discoveries (2011)

Five unknown works.

This CD presents a series of five works from across Alfred Schnittke’s career – all of them unknown to the wider listening public but nonetheless giving a conspectus of the evolution of his style. Some of the recordings from which this programme has been built were unreleased, others made specially for this CD. Most of the works were performed and recorded from photocopies of the manuscripts held in Schnittke’s family archive in Moscow and in Hamburg and at the Alfred Schnittke Archive in Goldsmiths, University of London.

Cinco trabajos desconocidos para el publico no especializado, que han sido descubiertos en los archivos de Alfred Schnittke y que se presentan en este CD por primera ocasión.

This CD from Toccata is a selection of five works that stretch across Schnittke's career … from the early 1950s to a year before his death. Significantly, none is currently otherwise available in the catalogue. All of them deserve to be better known; all are likely to be welcomed by devotees of Schnittke and those new to his distinctive sound and musical worlds. What's more the standard of performance on this generous CD is uniformly high - despite the fact that each work has a different set or sub-set of musicians. Mark Sealey -Music Web International

Six Preludes for Piano (1953-54) [18:25] *
Dialogue for cello and ensemble (1967) [12:55] **
Yellow Sound, after Vasily Kandinsky (1974) [34:54] ***
Magdalina (1977) [7:53] ****
Variations for string quartet (1997) [4:10]

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Music and Monumentality, By Alexander Rehding (PDF)

Music and Monumentality: Commemoration and Wonderment in 19th Century Germany,

By Alexander Rehding

Publisher: Oxford University Press 2009 | 320 Pages | ISBN: 0195385381 | PDF | 5 MB

A few weeks after the reunification of Germany, Leonard Bernstein raised his baton above the ruins of the Berlin Wall and conducted a special arrangement of Beethoven's Ninth Symphony. The central statement of the work, that "all men will be brothers," captured the sentiment of those who saw a brighter future for the newly reunited nation. This now-iconic performance is a palpable example of "musical monumentality" - a significant concept which underlies our cultural and ideological understanding of Western art music since the nineteenth-century. Although the concept was first raised in the earliest years of musicological study in the 1930s, a satisfying exploration of the "monumental" in music has not yet been made. Alexander Rehding, one of the brightest young stars in the field, takes on the task in Resounding Monumentality, an elegant, thorough treatment that will serve as a foundation for all future discussion in this area.
Rehding sets his focus on the main players of the period within the Austro-German repertoire -Beethoven, Liszt, Wagner, Brahms, Bruckner and Mahler- as he unpacks a two-fold definition of "musical monumentality." In the conventional sense, monumentality is a stylistic property often described as 'grand,' 'uplifting,' and 'sublime' and rife with overpowering brass chorales, sparkling string tremolos, triumphant fanfares, and glorious thematic returns. Yet Rehding sees the monumental in music performing a cultural task as well: it is employed in the service of establishing national identity. Through a clear theoretical lens, Rehding examines how grand sound effects are strategically employed with the view to overwhelming audiences, how supposedly immutable musical halls of fame change over time, how challenging musical works are domesticated, how the highest cultural achievements are presented in immediately consumable form-in a word, how German music emerges as a unified cultural and musical brand.


contents
Introduction:
Perspectives on Musical Monumentality 3
chapter one: The Time of Musical Monuments 19
chapter two: Musical Apotheoses 47
chapter three: Sounding Souvenirs 73
chapter four: Classical Values 109
chapter five: Collective Historia 141
chapter six: Faustian Descents 169
Epilogue: Beethoven’s Ninth at the Wall 197
Notes 217
Bibliography 275
Index 299

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Bernstein - Mahler : The Complete Symphonies & Orchestral Songs - Vol. III de III - 5CDs

Free Downloads. Descargas gratuitas. Tercera y ultima entrega del Box-Set preparado por Leonard Bernstein con el apoyo de Deutsche Grammophon que accedio a negociar los derechos de las grabaciones realizadas para la disquera Polygram. Aqui compartimos el Volumen 3:

Symphonies of Love and Death: Symphonies 8, 9 & 10 5CD`s-5 Rar files-Ape+Cue-1.2 GB.

Vol. III - CD 01 : Gustav Mahler : Symphony No.10 & 8 : Part I -
Leonard Bernstein - Wiener Philharmoniker.

Margaret Price : ( soprano) - Magnna Peccatrix
Judith Blegen : (soprano II) - Una poenitentium
Gerti Zeumer : ( soprano III) - Mater gloriosa
Trudeliese Schmidt : (contralto / Alt I) - Mulier Samaritana
Agnes Baltsa : (contralto II) - Maria Aegyptiaca
Kenneth Riegel : (tenor) - Doctor Marianus
Hermann Prey : (baritone) - Pater ecstaticus
Jose Van dam : (bass) - Pater profundus

Konzertvereininung Wiener Staatsopenchor
(Chef de choeur : Walter Hagen-Groll)

Wiener Singverein
(Chorus master : Helmut Froschauer)

Wiener Sangerknaben
(Chorus master : Uwe Theimer)

Rudolf Scholz : organ

Wiener Philharmoniker

01. Symphony No.10 : Andante - Adagio [0:26:13.00]
02. Symphony No.8 Part I: Hymnus "Veni, creator spiritus" - "Veni, creator spiritus" [0:01:31.00]
03. "Imple superna gratia" [0:03:16.25]
04. "Infirma nostri corporis" [0:02:44.20]
05. Tempo I. [0:01:13.60]
06. "Infirma nostri corporis" [0:03:15.15]
07. "Accende lumen sensibus" [0:04:23.45]
08. "Veni, creator spiritus" [0:04:27.28]
09. "Gloria sit Patri Domino" [0:03:22.32]


Vol. III - CD 02 : Mahler : Symphony No.8 Part II -
Leonard Bernstein - Wiener Philharmoniker.

Margaret Price : ( soprano) - Magnna Peccatrix
Judith Blegen : (soprano II) - Una poenitentium
Gerti Zeumer : ( soprano III) - Mater gloriosa
Trudeliese Schmidt : (contralto / Alt I) - Mulier Samaritana
Agnes Baltsa : (contralto II) - Maria Aegyptiaca
Kenneth Riegel : (tenor) - Doctor Marianus
Hermann Prey : (baritone) - Pater ecstaticus
Jose Van dam : (bass) - Pater profundus

Konzertvereininung Wiener Staatsopenchor
(Chef de choeur : Walter Hagen-Groll)

Wiener Singverein
(Chorus master : Helmut Froschauer)

Wiener Sangerknaben
(Chorus master : Uwe Theimer)

Rudolf Scholz : organ

Wiener Philharmoniker

01. Symphony No.8 : Part II Final Scene from Goethe's "Faust" : Poco adagio [0:06:26.23]
02. Piu mosso [0:03:05.25]
03. "Waldung, sie schwankt heran" [0:04:31.58]
04. "Ewiger Wonnebrand" [0:01:35.50]
05. "Wie Felsenabgrund mir zu Fusen" [0:04:29.62]
06. "Gerettet ist das edle Glied der Geisterwelt vom Bosen" [0:01:06.03]
07. "Jene Rosen aus den Handen" [0:01:49.55]
08. "Uns bleibt ein Erdenrest" [0:02:22.65]
09. Im anfang noch etwas gehalten [0:01:22.10]
10. "Hochste Herrscherin der Welt!" [0:04:24.20]
11. "Dir, der Unberuhrbaren" [0:03:55.50]
12. "Bei der Liebe, die den Fusen" [0:04:50.37]
13. "Neige, neige, du Ohnegleiche" [0:01:13.18]
14. "Er uberwachst uns schon" [0:03:56.70]
15. "Komm! hebe dich zu hohern Spharen!" [0:01:22.60]
16. "Blicket auf zum Retterblick, alle reuig Zarten" [0:06:01.02]
17. "Alles Vergangliche ist nur ein Gleichnis" [0:06:27.70]


Vol. III - CD 03 : Gustav Mahler : The Song of the Earth - Leonard Bernstein - Wiener Philharmoniker.

James King : tenor
Dietrich Fischer-Dieskau : baritone

01. The Song of the Earth - I. Das Trinklied vom Jammer der Erde [0:08:31.13]
02. II. Der Einsame im Herbst [0:11:22.00]
03. III. Von der Jugend [0:03:11.00]
04. IV. Von der Schonheit [0:08:10.00]
05. V. Der Trunkene im Fruhling [0:04:39.00]
06. VI. Der Abscheid [0:31:02.37]

Vol. III - CD 04 : Gustav Mahler : Symphony No.9 - 1 & 2 Mvmt. -
Leonard Bernstein - Concertgebouw Orchestra.

01. Symphony No.9 : I. Andante comodo [0:30:03.00]
02. II. Im Tempo eines gemachlichen Land. [0:17:31.00]



Vol. III - CD 05 : Gustav Mahler : Symphony No.9 -
Leonard Bernstein - Concertgebouw Orchestra

01. Symphony No.9 : III. Rondo-Burleke. Allegro assai. Sehr trotzig [0:11:52.00]
02. IV. Adagio. Sehr langsam und noch zuruckhaltend [0:29:45.01]

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Bernstein - Mahler : The Complete Symphonies & Orchestral Songs - Vol. II de III - 5CDs

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Segunda entrega de la caja de coleccionistas editada por Deustche Grammophon en 1998.

Vol. II: Ruckert-Lieder and The Middle Trilogy: Symphonies 5-6- & 7
5CD`s-5 Rar-Ape+Cue-1.2 GB

Vol.II - CD 01 : Gustav Mahler : Symphony no. 5 : Leonard Bernstein - Wiener Philharmoniker.
01. Part I : I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt [0:14:35.00]
02. II. Sturmisch bewegt. Mit grosster Vehemenz [0:15:05.00]
03. Part II. I. Scherzo. Kraftig, nicht zu schnell [0:19:05.00]
04. Part III. I. Adagietto. Sehr langsam [0:11:16.00]
05. II. Rondo-Finale. Allegro - Allegro giocoso. Frisch [0:15:02.00]

Vol. II - CD 02 : Gustav Mahler : Symphony No.6 "Tragic" : Leonard Bernstein - Wiener Philharmoniker - Booklet.
01. Symphony No.6 "Tragic" : I. Allegro energico, ma non troppo. Hefarkig [0:23:17.00]
02. II. Scherzo. Wuchtig [0:14:16.00]
03. III. Andante moderato [0:16:19.00]

Vol.II - CD 03 : Gustav Mahler : Symphony No.6 "Tragic" - Kindertotenlieder : Leonard Bernstein - Thomas Hampson - Wiener Philharmoniker.
01. Symphony No.6 'Tragic' - IV. Finale. Allegro moderato - Allegro energico [0:33:29.00]
02. Kindertotenlieder - Nun will die Sonn' so hell aufghen [0:05:59.00]
03. Nun seh' ich wahl, warum so dunkle Flammen [0:05:11.00]
04. Wenn dein Mutterlein [0:06:05.00]
05. Oft denk' ich, sie sind nur ausgegangen [0:03:30.00] 06. In diesem Wetter, in diesem Braus [0:07:20.00]

Vol. II - CD 04 : Gustav Mahler : Symphony No.7 "Song of the Night" : Leonard Bernstein - New York Philharmonic. 01. Symphony No.7 "Song of the Night" : I. Langsam (Adagio) - Allegro ma non troppo [0:21:38.00]
02. II. Nachtmusik. Allegro moderato [0:17:08.00]
03. III. Scherzo. Schattenhaft [0:10:32.00]
04. IV. Nachtmusik. Andante amoroso [0:14:47.00]

Vol. II - CD 05 : Gustav Mahler : Symphony No.7 : Leonard Bernstein - New York Philharmonic Ruckert Lieder : Leonard Bernstein - Thomas Hampson - Wiener Philharmoniker.
01. Symphony No.7 : V. Rondo-Finale. Tempo I (Allegro ordinario) [0:18:40.00]
02. Ruckert-Lieder: Liebst du um Schonheit [0:02:48.00]
03. Blicke mir nicht in die lieder [0:01:30.00]
04. Ich atmet' einen linden Duft [0:03:00.00]
05. Um Mitternacht [0:07:22.00]
06. Ich bin der Welt abhanden gekommen [0:07:48.00]

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Leonard Bernstein- Gustav Mahler : The Complete Symphonies & Orchestral Songs - Vol. I of III - 6 CDs de 16

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Leonard Bernstein ocupa un lugar especial en el cariño de los Mahleritas por su incansable defensa y difusion de la obra de G.M..
Dentro de los innumerables registros que nos dejo Lenny, destaca esta caja que reune las sinfonías y las canciones en 16 CD`s.
En esta primera entrega, compartimos el volumen I:

Las Sinfonías y canciones de Wayferer y Wunderhorn.

6 CD-1.5GB-Ape+Cue.

CD 01 : Gustav Mahler - Symphonie No.1 : Leonard Bernstein - Concertgebouw Orchestra /
Songs of a Wayfarer : Leonard Bernstein - Thomas Hampson - Wiener Philharmoniker.

01. Symphony no.1 : Langsam. Schleppend. Wie ein Naturlaut.. [0:16:30.00]
02. Kraftig bewegt, doch nicht zu schnell - Trio. Recht gemachlich [0:09:01.00]
03. Feierlich und gemessen, ohne zu schleppen [0:10:27.00]
04. Sturmisch bewegt [0:20:32.00]
05. Songs of a Wayfarer : Wenn mein Schatz Hochzeit macht [0:04:30.00]
06. Ging heut morgen ubers Feld [0:04:06.00]
07. Ich hab ein gluhend Messer [0:03:20.00]
08. Die zwei blauen Augen [0:05:34.00]


CD 02 : Gustav Mahler : Symphony No.3 : Leonard Bernstein- New York Philharmonic

01. Symphony No. 3 : Part I.- Kraftig. Entschieden [0:34:52.00]
02. Part II. - Tempo di Menuetto. Sehr massig [0:10:46.00]
03. Comodo. Scherzando. Ohne Hast [0:18:32.00]

CD 03 : Gustav Mahler : Symphony No.3 & Symphony No.2 :
Leonard Bernstein - Christa Ludwig - New York Philharmonic.

01. Symphony No.3 - Sehr langsam. Misterioso. Durchaus ppp [0:09:31.70]
02. Lustig im Tempo und keck im Ausdruck [0:04:07.05]
03. Langsam. Ruhevoll. Empfunden [0:28:26.00]
04. Symphony No.2 - Allegro maestoso (Totenfeier) [0:25:09.00]



CD 04 : Gustav Mahler : Symphony No.2 "Resurrection" :
Leonard Bernstein - Barbara Hendricks - Christa Ludwig - New York Philharmonic.

01. Symphony No.2 "Resurrection" - II. Andante moderato [0:12:19.00]
02. III. [Scherzo], In ruhig fliessender Bewegung - attaca [0:11:25.65]
03. IV. Ulrich, Sehr feierlich, aber schlicht [0:06:18.38]
04. V. Im Tempo Des Scherzo, Wild herausfahrend [0:38:41.47]


CD 05 : Gustav Mahler : Symphony No. 4 :
Leonard Bernstein - Helmut Wittek - Concertgebouw Orchestra

01. Symphony No. 4 : I. Bedachtig. Nicht eilen [0:17:38.00]
02. II. In gemachlicher Bewegung. Ohne Hast. [0:10:14.00]
03. III. Ruhevoll [0:20:33.50]
04. IV. Sehr behaglich `Wir geniessen die himmlischen Freuden` (soprano solo) [0:08:42.25]


CD 06 : G. Mahler : Des Knaben Wunderhorn :
Leonard Bernstein - Lucia Popp - Andreas Schmidt - Concertgebouw Orchestra.

01. Der Schildwache Nachtlied [0:06:03.60]
02. Wer hat dies Liedlein erdacht? [0:02:13.15]
03. Der Tamboursg'sell [0:05:18.00]
04. Das irdische Leben [0:02:57.00]
05. Verlorne Muh' [0:03:03.00]
06. Des Antonius von Padua Fischpredigt [0:03:43.00]
07. Revelge [0:06:47.00]
08. Rheinlegendchen [0:03:35.00]
09. Lob des hohen Verstandes [0:02:34.00]
10. Wo die schonen Trompeten blasen [0:08:29.00]
11. Lied des Verfolgten im Turm [0:04:37.45]
12. Trost im Ungluck [0:02:28.30]
13. Urlicht [0:05:49.00]

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