martes 28 de diciembre de 2010

Monteverdi: Vespers (1610), by John Whenham


Monteverdi: Vespers (1610), by John Whenham
Cambridge University Press | 152 pages | English | 1997 | ISBN: 0521453771 | PDF | 3,2 MB


Monteverdi's Vespers is an exceptional collection of sacred music, both in the inventiveness of the compositions that it contains and in the debate that it has provoked over its use in the seventeenth century and over Monteverdi's intentions in publishing it. This handbook provides all the information that the reader needs for an in-depth appreciation of the musical settings themselves, of the debate that surrounds the original intention of the volume and of the problems of performing the music today. The book includes the texts and plainsongs used by Monteverdi, and a discography.


Contents
Acknowledgements page vii
List of abbreviations viii
1 Introduction 1
2 The 1610 settings and the liturgy of Vespers 6
Vespers: liturgy, plainsong, falsobordone 6
Problems posed by the 1610 Vespers 15
3 The 1610 print and Monteverdi's career 23
The 1610 publication 23
Monteverdi and church music at Mantua 29
Three theories 30
Motives for publication 35
4 'Suited to the chapels or chambers of princes' 41
'Duo Seraphim' 43
'Nigra sum' and Tulchra es' 47
4Audi coelum' 54
'Sonata sopra Sancta Maria' 56
5 'And all on a cantus firmus* 60
Response 'Domine ad adiuvandum' 61
'Dixit Dominus' 62
'Laudate pueri* 64
'Laetatus sum' 67
'Nisi Dominus' 72
'Lauda Ierusalem' 74
'Ave maris Stella' 76
The Magnificat settings 77
6 Issues of performance 82
Performance with period instruments 85
Performance with solo voices 87
Instrumental accompaniment 89
Transposition 90
Tempo and proportions 91
Liturgical and concert performance 92
Appendices
1 Second Vespers for the Feast of the Assumption of
the Blessed Virgin (15 August) 95
2 Plainsongs, texts and translations 100
Notes 121
Select bibliography 130
Discography 134
Index 137







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viernes 24 de diciembre de 2010

Dowland, Lachrimae (1604), by Peter Holman (PDF)


Dowland, Lachrimae (1604), by Peter Holman
Cambridge University Press | 120 pages | English | 1999 | ISBN: 0521581966 | PDF | 1,1 MB


Dowland's famous Lachrimae (1604) is the earliest collection of instrumental music generally known to nonspecialists, yet it has never been studied in detail before. Among other things, this comprehensive guide investigates its publication history, its place in the development of Renaissance dance music, the significance of its writing for particular stringed instruments, and the possible connections between the famous cycle of "Lachrimae" pavans and Elizabethan conceptions of melancholy.

Contents
Note to the reader page ix

Abbreviations x

Preface xiii
1
The document 1

English music publishing 1

Dowland’s continental career 2

The publication of Lachrimae 3

The table layout 7
2
The instruments 13

Lachrimae and the Anglo-German repertory 16

Instrumentation 17

Chiavette and transposition 20

The lute part 22
3
The dance types 26

The pavan 26

The galliard 27

The almand 28

Composition, arrangement and performance 28

The Elizabethan dance repertory 30

The late Elizabethan pavan 31

Tonality 33
4
The seven ‘Passionate Pavans’ 36

‘Lachrimae Antiquae’ 36

The tear motif 40

Musical rhetoric 42

The nature of the cycle 46

Melancholy 50

‘Lachrimae Antiquae Novae’ 52

‘Lachrimae Gementes’ 53

‘Lachrimae Tristes’ 54

‘Lachrimae Coactae’ 56

‘Lachrimae Amantis’ 57

‘Lachrimae Verae’ 59

5 ‘Divers other Pavans, Galiards, and Almands’ 61

The ordering of the collection 61

‘Semper Dowland semper Dolens’ 63

‘Sir Henry Umptons Funerall’ 65
‘M. John Langtons Pavan’ 66

‘The Earle of Essex Galiard’ 67

‘Captaine Digorie Piper his Galiard’ 68
‘M. Henry Noel his Galiard’ 68

‘Sir John Souch his Galiard’ 69

‘M. Giles Hobies his Galiard’ 69

‘M. Buctons Galiard’ 71
‘The King of Denmarks Galiard’ 72

‘M. Thomas Collier his Galiard with 2 Trebles’ 73
‘M. Nicholas Gryffith his Galiard’ 73

‘Mistresse Nichols Almand’ 73
‘M. George Whitehead his Almand’ 74

6 Reception 75

Revival 78

Notes 81

Select bibliography 94

Index 96









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martes 14 de diciembre de 2010

Gustav Mahler The People`s Editon-13 CD`s


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El Ciclo completo de las sinfonias de Gustav Mahler seleccionado por 5,000 encuestados y 400 clientes de Deutsche Grammophon que votaron para elegir lo que aqui se bautiza como "La Edicion del Pueblo". El siguente paso es votar la existencia de Dios.

Over 5000 votes have been cast in our Mahler web-poll, over 400 customers have submitted their suggestions for a complete Mahler Symphony cycle ... and now we know who will appear in the People's Edition: All great performances, many of them already legendary. These are classic performances from DG's ling and illustrious catalog, but this set has a special resonance, reflecting as it does the opinions and preferences of our customers.



CD-01: Symphony No.1 in D
Symphonieorchester des Bayerischen Rundfunks, Kubelik 1968


CD-02: Symphony No.2 in C minor - "Resurrection"
Wiener Philharmoniker, Mehta 1975


CD`s-03 & 04: Symphony No.3 in D minor
Berliner Philharmoniker, Abbado 1999


CD-05: Symphony No.4 in G
Berliner Philharmoniker, von Karajan 1979


CD-06: Symphony No.5 in C sharp minor
Wiener Philharmoniker, Bernstein 1988


CD`s-07 & 08: Symphony No.6 in A minor
Wiener Philharmoniker, Bernstein 1989


CD-09: Symphony No.7 in E minor
Berliner Philharmoniker, Abbado 2002


CD-10: Symphony No.8 in E flat - "Symphony of a Thousand"
Chicago Symphony Orchestra, Solti 1972


CD`s-11 & 12: Symphony No.9 in D
Chicago Symphony Orchestra, Giulini 1977


CD-13: Symphony No.10 in F sharp (unfinished)
Radio-Symphonie-Orchester Berlin, Chailly 1988



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viernes 10 de diciembre de 2010

Vivaldi Edition: Arie Per Tenore (2010)


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El volumen mas reciente de la monumental Vivaldi Edition de la disquera independiente francesa NAIVE, reune 20 piezas vocales que documentan el sostenido interes de Antonio Vivalvi por escribir para tenores, en una época hegemonizada por el registro de los castrati.

La dirección musical es de Diego Fasolis, al frente del Ensemble I Barocchisti, con la voz del tenor Topi Lehtipuu, el Coro della Radiotelevisione Svizzera.
La gradación fue realizada en Abril y mayo de 2010 y apareció en octubre de este año.





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jueves 9 de diciembre de 2010

Bach: The Goldberg Variations, by Peter F. Williams


Bach: The Goldberg Variations, by Peter F. Williams Cambridge University Press | 120 pages | English | 2001 | ISBN: 0521807352 | PDF | 1,1 MB

Bach's spectacular Goldberg Variations represent a high point in the repertory of keyboard music, particularly for the harpsichord. This book takes a detailed look at how these variations originated, especially in relation to all Bach's ClavierÜbung volumes and late keyboard works, what their exceptionally intricate plan is, what kind of impact they have had, and how their mysterious beauty has been created. This guide to what was at the time the largest and most carefully conceived single work of keyboard music will appeal to students, performers and listeners.

Contents
List of abbreviations page vi
Introduction 1
1 Background and genesis 14
2 Overall shape 35
3 The movements 54
4 Questions of reception 93
Notes 103
Bibliography 107
Index 110








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jueves 2 de diciembre de 2010

Gustav Mahler: The Complete Works, la edición Integral en Box-Set de 16 CD`s


Free download. Descarga gratuita.
Hoy presentamos Mahler The Complete Works, la edición Integral en Box-Set de 16 CD`s, que la disquera EMI destina al 150 aniversario del nacimiento de Gustav Mahler (Mayo 57 de Julio de 1860).
En esta entrega compartimos los 16 Cd`s en dos formatos distintos:
1.- En formato Torrent para su descarga inmediata.
2.- En un listado de links de descarga en un archivo de Word 97 que tendrá vigencia de un mes.





CD 1 - "Das Klagende Lied". Simon Rattle / C.B.S.O., 1983/84

Piano Quartet movement. Domus, 1988

CD 2 - "Songs Of A Wayfarer". D. Fischer-Dieskau / Furtwaengler/Philharmonia, 1952
Symphony no.1. Giulini / Chicago Symphony, 1971

CD 3 - Symphony no.2. Klemperer / Philharmonia (studio version), 1961

CD 4 - Three Early Songs. Ian Bostridge / A. Pappano (piano), 2010
14 "Lieder & Gesaenge". Sung by var. big names from EMI catalog.
Symphony no.3, Mvt. 1. Rattle / C.B.S.O./ Birgirt Remmert (mezzo), 1997

CD 5 -
Symphony no.3, Movts II - VI. Rattle / CBSO.
"Blumine". P. Jarvi / Frankfurt R.S.O., 2009

CD 6 -
Symphony no.4. Horenstein / L.P.O./ M. Price (sop), 1970

CD 7 -
-Symphony no. 5. K. Tennstedt / L.P.O. - "live", 1988

CD 8 - "Kindertotenlieder". K. Ferrier / B. Walter / V.P.O., 1949
"Five Ruckert Lieder". J. Baker / New Phil., 1969
-Symphony no. 6, Mvt. I. J. Barbirolli / New Philharmonia, 1967

CD 9 -
-Symphony no. 6, Mvts. II - IV. Barbirolli / New Phil., 1967

CD 10 -
-Symphony no. 7. Rattle / C.B.S.O., 1991 (Aldeburgh Festival)

CD 11 - "Des Knaben Wunderhorn". Schwarzkopf / Fischer-Dieskau / G.Szell / L.S.O., 1968
-Symphony no. 8, Part I. Tennstedt / L.P.O., 1986

CD 12 -
-Symphony no.8, Part II. Tennstedt / L.P.O., 1986

CD 13 - "Das Lied von der Erde". C. Ludwig/Wunderlich / Klemperer / Phil., 1966

CD 14 -
Symphony no. 9. Barbirolli / Berlin Phil., 1964

CD 15 -
-Symphony no. 10. S. Rattle / Berlin Phil., 1999

CD 16 - "Bonus CD", gives us a survey of numerous "Ich bin der Welt abhanden gekommen" performances - possibly THE most gorgeous orchestral song ever composed - captured by EMI over the years. That list includes Janet Baker, Christa Ludwig (twice), D. Fischer-Dieskau, Thomas Allen, Brigitte Fassbaender, and Katarina Karneus





Require un cliente TORRENT.


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