sábado 31 de julio de 2010

Crisis Economics: A Crash Course in the Future of Finance, by Nouriel Roubini


Crisis Economics: A Crash Course in the Future of Finance, by Nouriel Roubini & Stephen Mihm.
Audible Audio Edition | 13 hour(s) and 35 min. | Audiobook | Unabridged | Publisher: Penguin Audiobooks | May 11, 2010 | Language: English | MP3 | 425 MB Single RAR |.
Free download.Descarga gratuita.

Nouriel Roubini gained great notoriety as one of the few economists who correctly predicted our current financial crisis, specifically pointing to the 90 percent increase in home prices from 1997 to 2006. While Roubini has written other books, "Crisis Economics" is his first foray into economic literature aimed at the mass market and serves to expound on his argument that most financial bubbles are not only predictable, but avoidable. To borrow a phrase from Nassim Taleb, these are not unpredictable "black swan" events, but can be forecasted with some degree of probability. The authors aptly point out the difficulty in defusing bubbles as they inflate as no one within the financial markets or the regulatory structure typically wants to take the punchbowl away from the party. As bubbles inflate they typically open the door for schemers and opportunists who become the inevitable scapegoats for the inevitable crisis, conveniently deflecting criticism from those who deserve it. Worse still there's little accountability in either the public or private sector for those who should have known the bubble was over-inflated and took no corrective measures to stop it. What compounds the problem this time is governments are re-leveraging the system by taking on massive debt to prop up the private sector, leaving them vulnerable and unable to respond when the next crisis inevitably comes. Worse still, these "balance-sheet" crises hobble government finances resulting in anemic recoveries that drag on as happened in Japan in the 1990s. And for all the talk of the private sector de-leveraging there's little real proof that's occurring and instead it appears to be stabilizing at unsustainably high levels, setting the stage for the next liquidity crisis. The authors look over economic history and point out a well reasoned argument, namely that economic collapses are both likely to occur and are predictable. They are not freakish, unforeseen occurrences, but oncoming events whose warning signs are ignored by policy makers, executives, and politicians. Even recent history proves this to be correct, pointing out crises limited to specific countries over the past few decades (Thailand, Mexico, Argentina, Indonesia, etc) that have led to more large scale economic problems. By now you'd be inclined to feel that Roubini truly is living up to his "Dr. Doom" nickname, but he is hardly finished. The authors roundly criticize the current tendency to socialize losses and privatize gains and calls on governments to do more to break up too-big-to-fail institutions before they do fail, as the temptation to bail them out when they do fail (and they will) will prove irresistible for policy makers and politicians alike. The sad reality is that policy makers have not yet learned their lessons and are tinkering at the margins when a more massive overhaul is required. While keeping interest rates near zero percent has kept the economy from totally collapsing it is unsustainable and new bubbles are appearing in the form of commodities prices, which have surged greatly in price. But the authors do offer ways in which policy makers, executives, and politicians can get out of our current situation and avoid recurrences. Sadly they are not easy or palatable situations, and its all to easy for all three groups to ignore taking hard steps to reign in economic growth during robust growth periods. And that's the problem. Societies are predicated on growth and expansion. We detest the idea of tamping down economic growth as it is so contrarian, yet that's what essential. Thankfully Roubini and Mihm make economics and finance relatable and easy to understand, yet without dumbing it down significantly. As academics both write with a flair and élan uncommon in economics, yet they certainly do tend to get readers to despair at times. Their solutions seem reasonable; one can only hope that policy makers, executives, and politicians would not only read this but find the will to actually do what is necessary to prevent the next crisis. (Read Ian Bremmer interview to Nouriel Roubini )


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viernes 30 de julio de 2010

The Quants by Scott Patterson. Audiobook & PDF


Scott Patterson, The Quants: How a New Breed of Math Whizzes Conquered Wall Street and Nearly Destroyed It.
Random House Audio | February 2, 2010 | Audiobook | Unabridged | 14:10 Hs. | English | MP3 | 173+188 MBS.
Crown Business | 2010 | ISBN: 0307453375 | 352 pages | PDF | 2,7 MB

In a fast-moving narrative, Wall Street Journal reporter Patterson explores the coterie of mathematicians behind the Wall Street crash of 2008. The story's stars are "an unusual breed of investors" called quants, who "used brain-twisting math and super-powered computers to pluck billions in fleeting dollars out of the market." Following the first quant, Beat the Market author Ed Thorp, from his graduate school days in 1955, and introducing others like Peter Muller and Ken Griffin as they established funds at major investment firms, Patterson spins a fascinating story of riches amassed for a few and, inevitably, lost for many: a collapsing hedge fund, "imploding under the weight of toxic subprime assets," took down the system "like a massive avalanche started by a single loose boulder." Though his narrative is interesting and easy to follow, Patterson's explanations of investment terms are not for novices; a glossary would have helped. As he puts the excesses and failures of Wall Street into perspective, however, Patterson also offers evidence that Wall Street hasn't learned its lesson: as of spring 2009, "several banks reported stronger earnings numbers... in part due to clever accounting tricks... and other potentially dangerous quant gadgets being forged in the dark smithies of Wall Street."


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miércoles 28 de julio de 2010

Andras Schiff : J.S. Bach: Goldberg Variations, BWV 988.


Free download. Descarga gratuita.
Andras Schiff
logra una extraordinaria ejecución al piano de las Variaciones Goldberg en este registro, grabado en vivo en Basilea el 30 de octubre de 2001, para el sello ECM.
Destacan de esta grabación, además de un trabajo de ingeniería de sonido sin error alguno, dos aspectos más: la brillantez de la interpretación y la contención del público, lo que nos permite asistir a un concierto perfectamente ambientado, pero sin los sonidos de la proverbial audiencia siempre atacada por bronquitis. Es un CD para gozar con especial atención.










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martes 27 de julio de 2010

Bach's Changing World (PDF)


Bach's Changing World: Voices in the Community, by Carol K. Baron
Publisher: University of Rochester Press | ISBN: 1580461905 | edition 2006 | PDF | 288 pages | 13,2 mb

By situating Bach firmly amid the popular debates and issues of a particular place and time, this volume brings us as close to Bach as we are likely to get. This rich scholarly achievement is wholly admirable in scope, detail, and sophistication. ----Leon Botstein, president, Bard College

A marvellous account of the Leipzig . . . in which Bach lived and worked. . . . If you enjoy the Coffee Cantata, read the chapter by Katherine Goodman on coffee and women poets. . . . This [book] fascinated me. ----Clifford Bartlett, Early Music Review

"[The] English translation [of Kuhnau's preface] will be valuable to scholars working on church music of the period. . . . Visually elegant, with a generous selection of illustrations of Leipzig life (some of them rarely used in modern publications). By viewing Bach within his intellectual context, Baron and her contributors open an important and stimulating path." ----Stephen Rose, Early Music


Contents
List of Illustrations xi
Editor’s Acknowledgments xiii
1.- Transitions, Transformations, Reversals: Rethinking
Bach’s World 1
Carol K. Baron
2.- Tumultuous Philosophers, Pious Rebels, Revolutionary Teachers,
Pedantic Clerics, Vengeful Bureaucrats, Threatened Tyrants,
Worldly Mystics: The Religious World Bach Inherited 35
Carol K. Baron
3.- Family Values and Dysfunctional Families: Home Life in the
Moral Weeklies and Comedies of Bach’s Leipzig 86
John Van Cleve
4.- Bach in the Midst of Religious Transition 108
Joyce Irwin
5.- Bach’s Situation in the Cultural Politics of Contemporary
Leipzig 127
Ulrich Siegele
Edited and abridged by Carol K. Baron with translation
assistance from Susan H. Gillespie with Ruben Weltsch
6.- The Reception of the Cantata during Leipzig Church Services,
1700–1750 174
Tanya Kevorkian
7.- From Salon to Kaffeekranz: Gender Wars and the Coffee Cantata in
Bach’s Leipzig 190
Katherine R. Goodman
8.- A Treatise on Liturgical Text Settings (1710) 219
Johann Kuhnau
Translated by Ruben Weltsch
Introduced by Carol K. Baron
9.- Random Thoughts About Church Music in Our Day (1721) 227
Gottfried Ephraim Scheibel
Introduced and translated by Joyce Irwin
Notes on the Contributors 251
Index 253


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lunes 26 de julio de 2010

Amico: The Life of Giovanni Battista Viotti

Amico: The Life of Giovanni Battista Viotti, by Warwick Lister.
Publisher: Oxford University Press, USA | 2009-07-23 | ISBN: 0195372409 | PDF | 544 pages | 51.40 MB

Giovanni Battista Viotti was unquestionably the most influential violinist of his time, and his style continues to pervade to the present day. The last great representative of the Italian tradition that Corelli began, Viotti is often considered the founder of the modern or 19th-century French school of violin playing. In Amico: The Life of Giovanni Battista Viotti, author Warwick Lister provides the first complete biography in English of this continuously significant violinist. Much of the documentary material Lister cites is previously unknown or not translated. Lister's biography takes the reader on a fascinating journey over the European continent and into the musical culture of the late 18th century. Born one year prior to Mozart and dying three years before Beethoven's death, Viotti rose from the humble origins of a blacksmith's son in a village near Turin, Italy, to international fame. His multifarious career as a concert performer, composer, teacher, opera theater director, and impresario was played out against the backdrop of a dramatically changing world - he served as a court musician for no less a figure than Marie Antoinette before founding an opera house in Paris. Viotti also knew tragedy as well as success: he was forced to flee the French Revolution, he was exiled from England for an extended period based on suspicions of certain Jacobin tendencies, his attempt to establish himself in business met with failure, and he died heavily in debt.

Contents

Abbreviations xiii

List of Figures xv

1. Fontanetto and Turin, 1755–79 3

“Suonatore del Principe” 5

“Pupil of the Celebrated Pugnani” 15

Theater Musician 18

Chapel and Chamber Musician 30


2. Grand Tour, 1780–81 40


3. Paris, 1782–92:
Performer, Composer, Teacher 66

“First Violinist of the Universe” 69
Homecoming 85
Courtier 91
“The Pleasure of His Friends” 97
Composer and Teacher 112

The Concert Olympique 120

4. Paris, 1789–92:
Entrepreneur 125

The Théâtre de Monsieur 125

“Une bien grande machine” 136
Rue Feydeau 147

Afterword 162

5. Viotti’s Achievement Thus Far 164

6. London, 1792–98, and Exile, 1798–ca. 1800
174
Hanover Square 177
Incident on the Continent 183

London and Bath 187

The King’s Theatre 196

The Wine Business, Gillwell, the King’s Theatre 205

Exile 218


7. Gillwell, Paris, Oxford, London, ca. 1800–1812 224

Country Life 224

St. Omer and Paris 228

Music, Family, and Friends 234

Tragedy 260


8. London and the Continent, 1812–19 270

Recovery 270

The Philharmonic Society (1813, 1814) 273

Paris, Brussels, Lille (1814–18); the Philharmonic Society (1815, 1816) 289


9. Paris and the Opéra, 1819–21 317


10. Last Years, Death, and Aftermath 348

Epilogue 364


11. Viotti’s Achievement and Legacy 365

Appendices
1.
Map of Europe Showing Viotti’s Places of Activity 375

2. G. B. Negri’s Biographical Note 376
3. “Précis of the Life of J. B. Viotti since His Entrance
into the World until March 6, 1798” 380
4. Viotti’s Letter to the Prince della Cisterna 385

5. Viotti’s Will 387

6. Viotti’s Siblings 389

7. Viotti’s Places of Residence in Paris and London 391

8. Viotti’s Violins 394
9. Notes on Viotti’s Violin Method 398
10. A Selection of Withdrawals from William Chinnery’s
Account at Drummonds Bank 401
11. A Mystery Letter 406

Notes 409

Bibliography 489

Index of Viotti’s Works 509

General Index 511








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jueves 22 de julio de 2010

American Ultramodernists 1920-1950


Free download. Descarga gratuita. En esta entrega un volumen que hace el rescate histórico de cuatro compositores de vanguardia, Rudhyar - Crawford - Ruggles - Cowell, autodenominados Ultramodernistas, que protagonizaron experimentos radicales en el periodo de entre-guerras. Four American avant-garde composers, or "ultra-modernists" as they called themselves then, active from the late 1910s onwards. The links between them are more than anecdotal. Rudhyar (born French under the name of Daniel Chennevière in 1895 and emigrated to the US in 1916) "developed theories of dissonance that were closely tied to ideas about spirituality and exerted a strong influence on several composers, particularly Carl Ruggles, Henry Cowell, and Ruth Crawford" (quote from Michael Broyles, "Mavericks and Other Traditions in American Music") Tracklist: Dane Rudhyar (1895-1985): 1-4. Tetragram No. 8: Primavera (1928)


Ruth Crawford (1901-1953):
5-13. Preludes (1924-1928)

Carl Ruggles (1876-1971):
14. Angels (1922)

15-18. Evocations. (1937-1943)

19. Organum (1944-1947)

Henry Cowell (1897-1965):
20. Piece for Piano (1924)

21. The Snows of Fujiyama (1924)

22. Hommage a Rudhyar (1922)

23. The Harp of Life (1924)


Steffen Schleiermacher, piano





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domingo 18 de julio de 2010

Gustavo Dudamel:RITE - Stravinsky / Revueltas (2010).

Estreno en Deutsche Grammophon.Descarga gratuita. New record of Dudamel Free Download. El mas nuevo registro de Gustavo Dudamel y la Orquesta de la Juventud Simon Bolivar de Venezuela nos entrega el sonido de dos musicos pilares del sonido en el siglo XX: Stravinsky, en Le Sacre du Printemps y Silvestre Revueltas en La Noche de los Mayas.

1CD-Flac+Cue+covers-294 MB

1-14. Le Sacre du Printemps - Revised version for Orchestra (published 1947)
15. La Noche de los Mayas - 1. Noche de los Mayas (Molto sostenuto)

16. La Noche de los Mayas - 2. Noche de Jaranas (Scherzo)

17. La Noche de los Mayas - 3. Noche de Yucatan (Andante espressivo)

18. La Noche de los Mayas - 4. Noche de Encantamiento (Tema y variaciones)


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viernes 16 de julio de 2010

Analyzing Bach cantatas, by Eric Chafe


Analyzing Bach cantatas, by Eric Chafe
Oxford University Press, Inc.| 2000| ISBN o-i9-5i2099-x; ISBN 0-19-516182-3 | PDF | 305 pages | 19.01 MB

Bach's cantatas are among the highest achievements of Western musical art, yet studies of the individual cantatas that are both illuminating and detailed are few. In this book, noted Bach expert Eric Chafe combines theological, historical, analytical, and interpretive approaches to the cantatas to offer readers and listeners alike the richest possible experience of these works. A respected theorist of seventeenth-century music, Chafe is sensitive to the composer's intentions and to the enduring and universal qualities of the music itself. Concentrating on a small number of representative cantatas, mostly from the Leipzig cycles of 1723-24 and 1724-25, and in particular on Cantata 77, Chafe shows how Bach strove to mirror both the dogma and the mystery of religious experience in musical allegory. Analyzing Bach Cantatas offers valuable information on the theological relevance of the structure of the liturgical year for the design and content of these works, as well as a survey of the theories of modality that inform Bach's compositional style. Chafe demonstrates that, while Bach certainly employed ""pictorialism"" and word-painting in his compositions, his method of writing music was a more complex amalgam of theological concepts and music theory. Regarding the cantatas as musical allegories that reflect the fundamental tenets of Lutheran theology as established during Bach's lifetime, Chafe synthesizes a number of key musical and theological ideas to illuminate the essential character of these great works. This unique and insightful book offers an essential methodology for understanding one of the central bodies of work in the Western musical canon. It will prove indispensable for all students and scholars of Bach's work, musicology, and theological studies.

Contents
INTRODUCTION IX
ONE
THE HERMENEUTIC MATRIX 3
Basic Principles 3
Aspects of the Liturgical Year 11
TWO
THE LUTHERAN "METAPHYSICAL" TRADITION IN
MUSIC AND MUSIC THEORY 23
THREE
CANTATA 21, "ICH HATTE VIEL BEKUMMERNIS" 42
Commentary on the Individual Movements 51
FOUR
MODAL QUESTIONS 72
The Seventeenth-century Background 73
Bach and Modal Tradition 82
"Durch Adams Fall"—Andreas Werckmeister on
the Hypophrygian Mode 89
viii Contents
FIVE
BACH'S REFLECTION ON THE PAST:
MODAL CHORALES IN CANTATA DESIGNS 101
"Durch Adams Fall ist ganz verderbt" in Cantatas 18 and 109 102
"Ach Gott, vom Himmel sieh' darein" in Cantatas 153 and 2 111
"O grosser Gott von Macht" in Cantata 46 132
SIX
TWO CHORALE CANTATAS 139
Cantata 121: "Christum wir sollen loben schon" 139
"Es ist das Heil uns kommen hier" (Cantata 9) 149
SEVEN
CANTATA 77: THE THEOLOGICAL BACKGROUND l6l
"Dies sind die heil'gen zehn Gebot": The Chorale and Its History 161
The Text of Cantata 77 174
EIGHT
"DU SOLLT GOTT, DEINEN HERREN, LIEBEN":
AN ANALYSIS OF CANTATA 77 183
Commentary on the Individual Movements 189
NINE
CANTATA 60: "O EWIGKEIT, DU DONNERWORT" 22O
NOTES 241
BIBLIOGRAPHY 271
INDEX 277






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jueves 15 de julio de 2010

J.S. Bach, Great Cantata Choruses, Eternal Fire - Gardiner


Free download. Descarga gratuita. En esta entrega John Eliot Gardiner
dirige al The English Baroque Soloists y a The Monteverdi Choir, en la
ejecucion de Eternal Fire, que forma parte de los Live recordings from the
Bach Cantata Pilgrimage, 2000.
Este CD es uno de los dos recientes estrenos de Gardiner en su monumental
edicion de las Cantatas.El sello es Soli Deo Gloria y se lanzo al mercado en enero de 2010.



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miércoles 14 de julio de 2010

Beethoven: The 5 Piano Concertos, Alfred Brendel-Simon Rattle


Registros para la descarga gratuita de los cinco conciertos
para piano y orquesta de Beethoven, en una grabacion en la
que Simon Rattle dirige al piano a Alfred Brendel y a la Vienna
Philharmonic Orchestra.




CD 1
Beethoven Piano Concerto no.1 Brendel-Rattle
Beethoven Piano Concerto no.4 Brendel-Rattle
CD 2
Beethoven Piano Concerto no.2 Brendel-Rattle
Beethoven Piano Concerto no.3 Brendel-Rattle
CD 3
Beethoven Piano Concerto no.5 Brendel-Rattle
Scans


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martes 13 de julio de 2010

Handel's Operas, 1726-1741, by Winton Dean

Winton Dean - Handel's Operas, 1726-1741
Publisher: Boydell Press | 2008-09-25 | ISBN: 1843832682 | PDF | 602 pages | 6.29 MB

Handel ranks with Monteverdi, Mozart and Verdi among the supreme masters of opera, yet between 1754 (when Handel was still living) and 1920 not one of his operas was performed anywhere. Their revival in the modern theatre has been among the most remarkable phenomena in the history of the art. But they are still too little understood, or studied, and until recently no reliable modern editions existed. This long-awaited book is the sequel to Handel's Operas 1704-1726, published in 1987. It is the first study in depth of Handel's last twenty-two operas, including major masterpieces such as Orlando, Ariodante and Alcina and the brilliant lighter works Partenope, Serse and Imeneo. Each chapter contains a full synopsis and study of the libretto, a detailed assessment of the opera's musical and (often misunderstood) dramatic qualities, a performance history, and comparison of the different versions. Much new material has been incorporated. In addition four general chapters throw a vivid light on the historical background. Two Epilogues touch on Handel's dramatic vision, the revival of his operas in the twentieth century, and their performance today. There are a number of valuable Appendices. Together with its predecessor, the book provides the first complete overview of these works. WINTON DEAN is the most distinguished British authority on the life and work of Handel; he has also written extensively on opera in general.

Contents

List of illustrations xiii

Abbreviations xv

Note on the text xvii

Note on sources xviii

1 The Rival Queens 1726–1728 1

2 Alessandro 10

3 Admeto, Re di Tessaglia 36
4 Riccardo Primo, Re d’Inghilterra 62

5 Siroe, Re di Persia 88
6 Tolomeo, Re di Egitto 108
7 The ‘Second Academy’ 1729–1734 125

8 Lotario 137

9 Partenope 151

10 Poro, Re dell’Indie 169

11 Ezio 194

12 Sosarme, Re di Media 210

13 Orlando 235
14 Arianna in Creta 256
15 Covent Garden 1734–1737 274

16 Ariodante 285

17 Alcina 312

18 Atalanta 335

19 Arminio 349

20 Giustino 362

21 Berenice, Regina di Egitto 380

22 The Last Operas 1738–1741 393

23 Faramondo 401
24 Serse 417

25 Imeneo 448

26 Deidamia 471

Epilogue 1: From Oratorio to Opera 484

Epilogue 2: H andel’s Operas on the Modern Stage 487

Appendices

A . S tructural Analysis 493

B. Instrumentation 494
C. P erformances during Handel’s Life 495

D. Borrowings 503

E. Modern Stage Productions to end of 2005 512

Select Bibliography 541

Index of Handel’s Works 547

General Index 550


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at 1000 classical Music Books.



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domingo 11 de julio de 2010

Beethoven after Napoleon

Beethoven after Napoleon: Political Romanticism in the Late Works, by Stephen Rumph,
(California Studies in 19th Century Music) Publisher: University of California Press | 2004 | ISBN 0520238559 | PDF | 307 pages | 10.9 MB

In this provocative analysis of Beethoven's late style, Stephen Rumph demonstrates how deeply political events shaped the composer's music, from his early enthusiasm for the French Revolution to his later entrenchment during the Napoleonic era. Impressive in its breadth of research as well as for its devotion to interdisciplinary work in music history, Beethoven after Napoleon challenges accepted views by illustrating the influence of German Romantic political thought in the formation of the artist's mature style. Beethoven's political views, Rumph argues, were not quite as liberal as many have assumed. While scholars agree that the works of the Napoleonic era such as the Eroica Symphony or Fidelio embody enlightened, revolutionary ideals of progress, freedom, and humanism, Beethoven's later works have attracted less political commentary. Rumph contends that the later works show clear affinities with a native German ideology that exalted history, religion, and the organic totality of state and society. He claims that as the Napoleonic Wars plunged Europe into political and economic turmoil, Beethoven's growing antipathy to the French mirrored the experience of his Romantic contemporaries. Rumph maintains that Beethoven's turn inward is no pessimistic retreat but a positive affirmation of new conservative ideals.

Contents:
Acknowledgments ix
introduction 1
1. a kingdom not of this world 9
2. the heroic sublime 35
3. promethean history 58
4. 1809 92
5. contrapunctus i: prelude and fugue 109
6. contrapunctus ii: double fugue 133
7. androgynous utopias 156
8. vox populi, vox dei 195
9. a modernist epilogue 222
Notes 247
Works Cited 267
Index 279




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jueves 8 de julio de 2010

The Puccini Problem: Opera, Nationalism, and Modernity.

Alexandra Wilson, The Puccini Problem: Opera, Nationalism, and Modernity.
Cambridge University Press | 2007-04-09 | ISBN: 0521856884 | 334 pages | PDF | 1,3 MB

The first detailed investigation of the reception and cultural contexts of Puccini's music, this book offers a fresh view of this historically important but frequently overlooked composer. Wilson's study explores the ways in which Puccini's music and persona were held up as both the antidote to and the embodiment of the decadence widely felt to be afflicting late-nineteenth- and early-twentieth-century Italy, a nation which although politically unified remained culturally divided. The book focuses upon two central, related questions which were debated throughout Puccini's career: his status as a national or international composer, and his status as a traditionalist or modernist. In addition, Wilson examines how Puccini's operas became caught up in a wide range of extra-musical controversies concerning such issues as gender and class. This book makes a major contribution to our understanding of both the history of opera and of the wider artistic and intellectual life of turn-of-the-century Italy.

CONTENTS
List of illustrations j ix
Acknowledgements j x
Note on translations j xii
Introduction j 1
1 Inventing an Italian composer j 11
2 La bohe`me: organicism, progress and the press j 40
3 Tosca: truth and lies j 69
4 A frame without a canvas: Madama Butterfly and the superficial j 97
5 Torrefranca versus Puccini j 125
6 The Italian composer as internationalist j 155
7 A suitable ending? j 185
Epilogue j 221
Appendix 1: selected newspapers and journals j 229
Appendix 2: personalia j 237
Notes j 254
Bibliography j 292
Index j 310



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